Pamuk's 'Modest Manifesto for Museums' is reproduced on a panel on the ground floor. Some, such as the installation using 4213 cigarette butts, are as strange as they are powerful. These displays are both beautiful and moving. Occupying a modest 19th-century timber house, the museum relies on its vitrines, which are reminiscent of the work of American artist Joseph Cornell, to retell the story of the love affair of Kemal and Füsun, the novel's protagonists. Vitrines display a quirky collection of objects that evoke the minutiae of İstanbullu life in the mid- to late 20th century, when Pamuk's novel The Museum of Innocence is set. The painstaking attention to detail in this fascinating museum/piece of conceptual art will certainly provide every amateur psychologist with a theory or two about its creator, Nobel Prize–winning novelist Orhan Pamuk.
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